She then tells Sarah that this adventure was in the hopes of restoring their relationship.Īs the group presses forward with hopes of finding an exit, they discover aged climbing equipment and a cave painting that suggests an exit exists.
After a heated discussion, Juno admits that she has led the group into an unknown cave system instead of the fully explored cave system that they had originally planned to visit, and so rescue is therefore impossible. After the group moves through a narrow passage, it collapses behind them, trapping them. While in the cave, Juno apologizes to Sarah for not being there for her after the accident, but Sarah is distant. The next day, they hike up to a mountain cave entrance and descend. One year later, Sarah, Juno, and Beth, as well as friends Sam, Rebecca, and newcomer Holly reunite at a cabin in the Appalachian Mountains of North Carolina for a spelunking adventure. Paul and Jessica are killed, but Sarah survives. Afterward, Sarah, along with her husband Paul and their daughter Jessica, are involved in a car accident when Paul is distracted. Thrill seeker friends Sarah, Juno, and Beth whitewater raft together. The film received positive reviews and was a box-office success, grossing $57.1 million against a £3.5 million budget.Ī sequel, titled The Descent Part 2, directed by the first film's editor Jon Harris, was released in 2009.
It premiered in the 2006 Sundance Film Festival and released on 4 August 2006 in the United States. The Descent opened in cinemas in the United Kingdom on 8 July 2005. Because the filmmakers considered it too dangerous and time-consuming to shoot in an actual cave, interior scenes were filmed on sets built at Pinewood Studios near London designed by Simon Bowles. Exterior scenes were filmed at Ashridge Park, Hertfordshire, and in Scotland. The film follows six women who enter a cave system and struggle to survive against the humanoid creatures inside.įilming took place in the United Kingdom. The Descent is a 2005 British horror film written and directed by Neil Marshall.
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